part-time; taught puppetry to teacher-training students, often combining with Music Department (under Henry Boys) for performances. Drew inspiration from many sources including Javanese puppets, Greek vase painting, English medieval manuscripts. Believed puppetry could be ‘a vivid way of exploring many aesthetic problems’ and could be ‘a fruitful means of linking different school subjects’. Her book Puppetry Today Studio Vista, 1966, called by Ellis ‘her testament as a teacher’, was illustrated by many of her Corsham projects. Also taught watercolour and illustration. 1965 Retired. 1971 presented survey of Professional Puppetry in England, commissioned by The Arts Council; 1973 led an experimental Puppet Workshop, held at The Central School of Speech and Drama. 1979 One-man exhibition of watercolours at the New Grafton Gallery. * See article in Visual Education, Dec 1958. 11 Rod Puppet Princess from St George and the Dragon Puppet Opera produced Spring 1955, Bath Academy of Art Collection The Puppet Centre Trust, London SW11 12 Mediterranean Mountain Landscape watercolour 15 x 20 inches signed Private Collection see also display of photographs of shadow puppets Europa and the Bull 1954 The Greenland Fishery 1954 Icarus 1954 Tom Thumb 1955 Scissor Ballet (All for puppet plays performed at BAA, some reproduced in Puppetry Today Helen Binyon, Studio Vista, 1966.)