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           Kenneth Armitage 
          b.1916 (BAA 1946-56) 
           
           
          Born in Leeds. 1934-37 Leeds College of Art, 1937-39 
          studied sculpture Slade School of Art. 1939-46 served army, 
          training soldiers to identify shapes of aircraft and tanks. 
          1946 set up Sculpture Department, BAA, taught 2-3 days a 
          week, having taught previous two terms In Bath. The Bath 
          Stone quarries had attracted him to the area hut he only 
          carved a couple of pieces (whereabouts unknown) before 
          abandoning carving. On seeing Clifton Suspension Bridge 
          became interested in structure for fIrst time. Had use of hut 
          in garden of Rose Cottage. Priory Street, Corsham belonging 
          to a Miss Spackman.* 
          ‘When I rented it from her she kept furniture at one end 
          which I hid from view by having 2 or 3 folding screens 
          made (wood frames with corrugated paper). Like the aircraft 
          which I massively studied throughout the War which 
          influenced my later work without my being aware of it at 
          the time, so these screens immediately resulted in flat 
          screen-like groups with short spindly legs, the latter 
          resembling the ‘piloti’ characteristic of modern architecture 
          in the years following the War - . . ‘People in a Wind’ 
          occured, of course, at the same time. The long necks of this 
          piece came from daily watching the long stalks of a plant at 
          this studio door — and also watching rockets at a firework 
          display at the Architectural Association Summer School, 
          held at Corsham just then, which was an exciting experience 
          for me. Also, actually seeing people, walking, leaning against 
          the wind - . .** (This piece was exhibited at the Venice 
          Biennale in 1952, bought by Peggy Guggenheim). 1952 one- 
          man show Gimpel Fils. 1953-55 Gregory Fellow in 
          Sculpture, continued to teach on visits to Corsham, (William 
          Turnbull taught sculpture briefly in 1953 and Bernard 
          Meadows joined department until 1957; he and Armitage 
          built bronze foundry). 1954 one-man exhibition Bertha 
          Schaefer, New York. 1956 gave up teaching at Corsham. 
          Studio Notting Hill 1956/57. 1958 exhibited at the Venice 
          Biennale (as did William Scott), won David E. Bright award 
          for best sculptor under 45; Krefeld War Memorial, first prize 
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